My experience of playing the trumpet using Jerome Callet's Superchops embouchure.
I have created this Blog so that I can pass on my experience of learning to play the trumpet using the Superchops method, or more technically known as the Tongue Controlled Embouchure, as taught by Jerome Callet. I have been learning this method for about 7 years now (using Jerome's book "Trumpet Secrets", and also his DVD, as well as a number of telephone lessons with him) with a high level of success, and have documented my progress from day 1 to the present, recording down everything that has allowed me to progress further with this wonderful method of playing the trumpet; (or any other brass instrument for that matter).
I have given my own brief description of the Superchops embouchure below, but for those of you not already familiar with the Superchops system, that require a detailed description of the Superchops embouchure, click on the link to the Jerome Callet's Master Superchops site. There you will find lots of useful information as well as a full description, and photos showing how the embouchure works.
I hope you find the following notes helpful - please let me know what you think.
(There are some audio examples at the end of the blog).
sorry to say it but what I hear here seems to be a tipical "t'ooa" attack on the longer notes. May be the tongue goes back to prepare for the double tonguing or coming from it? Hope this help. Greetings, Lb
Double tonguing with the tce setup was a complete mystery to me until I realised that its impossible to have a clean attack with the old method of Tu Ku. I think Jerry calling it a cough is also misleading because for me that involves a Ku syllable. I have found the best way to DT is pronouce Dit-a or di-ta and for triple tonguing di-dit-a or di-di-ta. We all have different views on how it works but this produces lightening speed for me and I dont even have to think about it. Kind regards, Marie
I started playing the trumpet 40 years ago and used the conventional embouchure method (tongue between the lips - both lips vibrate) up until 7 years ago when I learnt about the Superchops method from Jerome Callet. Since then I have never looked back.
I play lead trumpet in a local Big Band and am Principal Trumpet with the Hertfordshire Concert Band.
2 comments:
David,
sorry to say it but what I hear here seems to be a tipical "t'ooa" attack on the longer notes. May be the tongue goes back to prepare for the double tonguing or coming from it?
Hope this help.
Greetings,
Lb
Hi David,
Double tonguing with the tce setup was a complete mystery to me until I realised that its impossible to have a clean attack with the old method of Tu Ku. I think Jerry calling it a cough is also misleading because for me that involves a Ku syllable. I have found the best way to DT is pronouce Dit-a or di-ta and for triple tonguing di-dit-a or di-di-ta. We all have different views on how it works but this produces lightening speed for me and I dont even have to think about it.
Kind regards,
Marie
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